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The Ascension of the Elect or Paradise by Dieric Bouts

The Ascension of the Elect or Paradise

Dieric Bouts·1450

Historical Context

Dieric Bouts's Ascension of the Elect (Paradise), painted around 1450 and now in the Palais des Beaux-Arts de Lille, is the companion piece to his Fall of the Damned. The contrast between the two paintings reveals Bouts's vision of salvation and damnation with equal methodical precision. The blessed souls rise through a verdant garden landscape toward celestial light, with Bouts's characteristic quiet figures ascending in calm, orderly procession.

Technical Analysis

Bouts renders paradise with the same precise, methodical technique he applies to hell, using a luminous green landscape and carefully graduated light effects to create a vision of heavenly peace through characteristic restraint.

See It In Person

Palais des Beaux-Arts de Lille

Lille, France

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
115 × 69.5 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Religious
Location
Palais des Beaux-Arts de Lille, Lille
View on museum website →

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Virgin and Child by Dieric Bouts

Virgin and Child

Dieric Bouts·ca. 1455–60

Mater Dolorosa (Sorrowing Virgin) by Dieric Bouts

Mater Dolorosa (Sorrowing Virgin)

Dieric Bouts·c. 1490

Portrait of a Man by Dieric Bouts

Portrait of a Man

Dieric Bouts·ca. 1470

The Mourning Virgin; Christ Crowned with Thorns by Dieric Bouts

The Mourning Virgin; Christ Crowned with Thorns

Dieric Bouts·1520

More from the Early Renaissance Period

Pietà by Cosimo Tura

Pietà

Cosimo Tura·1475/1500

Virgin and Child by Giovanni Bellini

Virgin and Child

Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450