
Judgment of Solomon
Historical Context
Sebastiano del Piombo's Judgment of Solomon from around 1507 was painted while he was still in Venice, before his transformative 1511 move to Rome that brought him into Michelangelo's orbit. The Old Testament judgment scene — Solomon threatening to cut the disputed baby in half to expose the true mother's love — was a vehicle for depicting the wisdom of just rulership. Sebastiano's early Venetian style shows the influence of Giorgione in the atmospheric landscape setting and the warm colorism, while the figures display an early tendency toward the monumental that would fully emerge after his Rome experiences.
Technical Analysis
The warm Venetian palette and soft atmospheric effects demonstrate Sebastiano's early training, with the figures arranged in a classicizing composition that already hints at his future engagement with Roman monumentality.
See It In Person
More by Sebastiano del Piombo

Christ Carrying the Cross
Sebastiano del Piombo·c. 1515–17

Portrait of a Man, Said to be Christopher Columbus (born about 1446, died 1506)
Sebastiano del Piombo (Sebastiano Luciani)·1519

Portrait of a Young Woman as a Wise Virgin
Sebastiano del Piombo·c. 1510

Cardinal Bandinello Sauli, His Secretary, and Two Geographers
Sebastiano del Piombo·1516



