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The Vision of St. Jerome by Guercino

The Vision of St. Jerome

Guercino·1619

Historical Context

The Vision of Saint Jerome — the scholar-saint visited by angelic trumpeters announcing the Last Judgment — was one of Guercino's earliest masterpieces, painted in 1619 when he was just twenty-eight years old. The painting stunned contemporaries with its dramatic lighting and visceral physicality, establishing Guercino as a major talent capable of rivaling any painter in Italy. Cardinal Ludovisi acquired the work and later, as Pope Gregory XV, summoned Guercino to Rome to paint the ceiling of the Casino Ludovisi.

Technical Analysis

Explosive chiaroscuro — among the most dramatic in all of Italian painting — blasts the supernatural vision into the darkened study with almost physical force. The startled saint's recoiling body and the angels' dynamic foreshortening create violent spatial energy.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil on copper
Dimensions
41.5 × 47.5 cm
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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The Entombment

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The Vocation of Saint Aloysius (Luigi) Gonzaga by Guercino (Giovanni Francesco Barbieri)

The Vocation of Saint Aloysius (Luigi) Gonzaga

Guercino (Giovanni Francesco Barbieri)·ca. 1650

Cato of Utica Bidding Farewell to his Son by Guercino

Cato of Utica Bidding Farewell to his Son

Guercino·1636

Stilleben mit Melonen + Papagei by Guercino

Stilleben mit Melonen + Papagei

Guercino·1616

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612