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The Charity of St. Nicholas of Bari by Ambrogio Lorenzetti

The Charity of St. Nicholas of Bari

Ambrogio Lorenzetti·1330

Historical Context

The Charity of Saint Nicholas of Bari by Ambrogio Lorenzetti, painted around 1330 and now in the Louvre, depicts the saint's most famous act of generosity — secretly providing gold for the dowries of three impoverished young women, thus saving them from prostitution. This narrative scene demonstrates Ambrogio's exceptional gifts as a storyteller and his engagement with subjects that had both moral and social resonance in trecento Siena. The painting is closely related to the Stories of Saint Nicholas panels in the Uffizi, suggesting they may have once formed part of the same altarpiece ensemble.

Technical Analysis

Painted in egg tempera on gold-ground panel, the scene features Ambrogio's innovative approach to interior space, with the architectural setting creating a convincing stage for the narrative action. The careful observation of domestic details and the naturalistic interaction between figures reveal the artist's proto-Renaissance spatial sensibility.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Tempera
Dimensions
30 × 20.5 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Department of Paintings of the Louvre, Paris
View on museum website →

More by Ambrogio Lorenzetti

Presentation at the Temple by Ambrogio Lorenzetti

Presentation at the Temple

Ambrogio Lorenzetti·1342

Madonna and Child by Ambrogio Lorenzetti

Madonna and Child

Ambrogio Lorenzetti·1320

Madonna and child with saints and angels by Ambrogio Lorenzetti

Madonna and child with saints and angels

Ambrogio Lorenzetti·1335

Stories of Saint Nicholas by Ambrogio Lorenzetti

Stories of Saint Nicholas

Ambrogio Lorenzetti·1332

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Madonna with the Child by Giotto

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Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295