ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

"Murre". Portrait of Casimir Laurin by Carl Larsson

"Murre". Portrait of Casimir Laurin

Carl Larsson·1900

Historical Context

"Murre". Portrait of Casimir Laurin was made in 1900, depicting Casimir Laurin, a son of the Swedish art collector and patron Thorsten Laurin, who was one of Larsson's most important supporters and friends. The nickname 'Murre' suggests the informal, familial register of the portrait — this is a friend's child as much as a formal commission. The Laurin family played a significant role in Larsson's career: Thorsten Laurin built one of Sweden's most important private collections of modern art and was a committed patron of Larsson and his contemporaries. The child portrait on paper (probably watercolor or chalk) reflects Larsson's characteristic approach to informal portraits made for close friends and family: less finished than his exhibition works but often more psychologically direct. Made in 1900, the year after the publication of the enormously successful Ett hem, this portrait comes from the period of Larsson's greatest popular fame in Sweden.

Technical Analysis

Work on paper with characteristics suggesting pastel, chalk, or watercolor. The paper support allows a lighter, more immediate handling than canvas, suited to an informal portrait of a child. The image likely combines drawn contours with applied color in Larsson's characteristic direct manner.

Look Closer

  • ◆The informality of the nickname in the title signals that this was made in a spirit of friendship rather than professional commission.
  • ◆The child's expression carries the specific quality of reluctant cooperation that distinguishes observed portraits from posed ones.
  • ◆The paper ground likely contributes to the work's tonal range, serving as a mid-tone around which darker and lighter passages are organized.
  • ◆The relatively sketchy finish appropriate to a gift portrait reveals Larsson's underlying drawing process more clearly than his more worked-up exhibition pieces.

See It In Person

Nationalmuseum

,

Visit museum website →

Quick Facts

Medium
paper
Dimensions
Unknown
Era
Post-Impressionism
Genre
Portrait
Location
Nationalmuseum,
View on museum website →

More by Carl Larsson

Study for Modern Art by Carl Larsson

Study for Modern Art

Carl Larsson·1889

Little Suzanne by Carl Larsson

Little Suzanne

Carl Larsson·1886

Study for Rokoko, 1888 by Carl Larsson

Study for Rokoko, 1888

Carl Larsson·1888

Contemporary art by Carl Larsson

Contemporary art

Carl Larsson·1888

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885