Redstarts and Butterflies. Five studies in one frame, NM 2223-2227
Bruno Liljefors·1885
Historical Context
Bruno Liljefors's Redstarts and Butterflies (1885) — one of five studies in a single frame (NM 2223-2227) in the Nationalmuseum — demonstrates the Swedish master's revolutionary approach to wildlife painting. Liljefors combined a deep scientific knowledge of birds with an Impressionist sensitivity to light and environment, painting animals not as isolated specimens but as creatures fully integrated into their natural habitat. His studies of small birds like redstarts, done with direct observation in the field, transformed Scandinavian nature painting and laid the foundation for modern wildlife art as a serious artistic genre.
Technical Analysis
Liljefors renders the birds with both ornithological accuracy and artistic life — each individual characterized by posture and the specific quality of light on feathers. His background handling is looser and more atmospheric, positioning the birds within their environment rather than against a neutral ground, creating the habitat integration that distinguished his wildlife work.
See It In Person
More by Bruno Liljefors

Cat on a flowery meadow
Bruno Liljefors·1887
A Cat and a Chaffinch. Five animal studies in one frame, NM 2223-2227
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Chaffinches and Dragonflies. Five studies in one frame, NM 2223-2227
Bruno Liljefors·1885
Four Bird Studies, Red-Backed Shrike, Corncrake, Chaffinches, Willow Warbler.
Bruno Liljefors·1887


