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Salvator Mundi by Benedetto Rusconi

Salvator Mundi

Benedetto Rusconi·1510

Historical Context

Benedetto Rusconi's Salvator Mundi, painted around 1510 and now in the National Gallery in London, depicts Christ as Savior of the World — the iconic frontal image of the blessing Christ holding an orb, one of the most ancient and enduring subjects in Christian art. Rusconi, a Venetian painter working in the tradition of Giovanni Bellini and sometimes identified with the minor master Marco Bello, produced devotional images of consistent quality for the Venetian market. The Salvator Mundi type had received renewed currency from Leonardo da Vinci's celebrated version, and Rusconi's National Gallery example shows the broad diffusion of this image type across Italian workshop production in the early sixteenth century. The National Gallery holds it as an example of Venetian devotional painting.

Technical Analysis

The frontal Christ figure raises his right hand in blessing while holding the orb of the world in his left. Venetian warm color and soft Bellini-influenced modeling give the figure a gentle spiritual authority. The gold ground or dark background concentrates focus on the face and hands of the blessing figure.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
76.2 × 59.1 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
National Gallery, London
View on museum website →

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Christ in Emmaus by Benedetto Rusconi

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Madonna with Child between Saints Jerome and Francis by Benedetto Rusconi

Madonna with Child between Saints Jerome and Francis

Benedetto Rusconi·1486

Madonna and Child and Saints Jerome, Francis and donors by Benedetto Rusconi

Madonna and Child and Saints Jerome, Francis and donors

Benedetto Rusconi·1486

The Virgin Adoring the Child by Benedetto Rusconi

The Virgin Adoring the Child

Benedetto Rusconi·1500

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