
The Deposition: Right Hand Panel
Master of Delft·1510
Historical Context
The Master of Delft painted this Deposition as the right panel of an altarpiece around 1510 for the National Gallery. The anonymous master's triptych was a significant commission for a Delft church, demonstrating the high quality of painting produced in this important Dutch city. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting. Such devotional panels served both liturgical contexts in churches and chapels and private devotional use in the homes of wealthy families who maintained personal altars and oratories.
Technical Analysis
The panel renders the descent from the cross with careful attention to the physical mechanics of lowering the body, demonstrating the precise Netherlandish technique and narrative clarity characteristic of this accomplished anonymous master.
See It In Person
More by Master of Delft

The Vision of Saint Bernard
Master of Delft·1499

The Virgin and St John lamenting over the body of Christ
Master of Delft·1505
%2C_de_stichter_met_de_heilige_Martinus_(binnenzijde_linkervleugel)%2C_de_stichteres_met_de_heilige_Cunera_(binnenzijde_rechtervleugel)_en_Rijksmuseum_SK-A-3141.jpeg&width=600)
Triptych with the Virgin and Child and saints (centre panel), the donor with St Martin (inner left wing), the donor’s wife with St Cunera (inner right wing) and the Annunciation (outer wings)
Master of Delft·1500

Christ says goodbye to his mother
Master of Delft·1509



