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Self-portrait of Richard Redgrave by Richard Redgrave

Self-portrait of Richard Redgrave

Richard Redgrave·1832

Historical Context

Redgrave depicts himself in this 1832 self-portrait at the Yale Center for British Art, painted when he was twenty-eight and establishing his career as a Royal Academy exhibitor. Self-portraits at the start of a career serve as both artistic calling cards and personal documents, recording the young artist"s appearance and ambition. Redgrave would go on to become a significant figure in the Victorian art world, both as a painter and as an administrator who helped reshape British art education.

Technical Analysis

The young artist presents himself with the direct gaze and confident bearing appropriate to a self-portrait intended to demonstrate professional competence. The palette is simple—dark background, warm face, modest attire—following the conventions of studio self-portraiture. The handling shows careful observation of his own features in the mirror, with the face receiving the most detailed treatment. The brushwork is controlled and precise, demonstrating the academic training that formed the foundation of Redgrave"s technique.

See It In Person

Yale Center for British Art

New Haven, United States

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
23.5 × 18.1 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
Yale Center for British Art, New Haven
View on museum website →

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Bolton Abbey: Morning by Richard Redgrave

Bolton Abbey: Morning

Richard Redgrave·1847

The Thames from Millbank by Richard Redgrave

The Thames from Millbank

Richard Redgrave·ca. 1836

Gulliver Exhibited to the Brobdingnag Farmer by Richard Redgrave

Gulliver Exhibited to the Brobdingnag Farmer

Richard Redgrave·1836

The Stream at Rest by Richard Redgrave

The Stream at Rest

Richard Redgrave·1848

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