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After the Storm by George Hayter

After the Storm

George Hayter·1833

Historical Context

Among Hayter’s rare excursions into non-portrait subjects, this 1833 marine scene at the Walters Art Museum in Baltimore shows a storm’s aftermath. The painting demonstrates that Hayter’s ambitions extended beyond portraiture, though contemporary critics regarded his non-portrait work as secondary. Maritime subjects were popular in an era when Britain’s naval power was at its zenith and Turner was transforming the seascape genre. George Hayter was the preeminent British history and portrait painter of the early Victorian era, appointed Principal Painter in Ordinary to Queen Victoria in 1841.

Technical Analysis

The dramatic sky and turbulent sea show Hayter working outside his comfort zone, with broader, more expressive brushwork than his tightly controlled portraits. The atmospheric effects are handled with reasonable competence.

See It In Person

Walters Art Museum

Baltimore, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
45.6 × 56.4 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
Walters Art Museum, Baltimore
View on museum website →

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Our Saviour after the Temptation (sketch) by George Hayter

Our Saviour after the Temptation (sketch)

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Saith Satoor and Ali Hassan Bey

George Hayter·1831

The Angels ministering to Christ by George Hayter

The Angels ministering to Christ

George Hayter·1847-1849

Queen Victoria enthroned in the House of Lords by George Hayter

Queen Victoria enthroned in the House of Lords

George Hayter·1838

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The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

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Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836