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From Karl Johan by Edvard Munch

From Karl Johan

Edvard Munch·1889

Historical Context

Karl Johans gate is Oslo's main ceremonial boulevard, and Munch returned to it as a pictorial subject throughout his career. This 1889 canvas — one of his earliest Karl Johan paintings — shows the street in an ordinary condition, without the psychological distortion that would characterise later works in the series. Munch was in Paris on a state scholarship in 1889, and this work reflects observations made before his departure, capturing the street life of the Norwegian capital at the close of the 1880s. The Munch Museum in Oslo holds extensive holdings across all periods of his long career.

Technical Analysis

This early Karl Johan canvas shows Munch working in a relatively conventional Post-Impressionist idiom before he fully developed the expressive distortions of his mature style. Figures are individuated but not yet stylised into psychological types.

See It In Person

Munch Museum

Oslo, Norway

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Cityscape
Location
Munch Museum, Oslo
View on museum website →

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Veierland near Tønsberg

Edvard Munch·1887

Standing Female Nude by Edvard Munch

Standing Female Nude

Edvard Munch·1887

Inger on the Beach by Edvard Munch

Inger on the Beach

Edvard Munch·1889

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885