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Portrait of Jan de Leeuw by Jan van Eyck

Portrait of Jan de Leeuw

Jan van Eyck·1436

Historical Context

Jan van Eyck's Portrait of Jan de Leeuw, dated 1436 and in the Kunsthistorisches Museum, Vienna, depicts a goldsmith from Bruges whose identity is confirmed by the ring he holds—both his professional symbol and a visual pun on his surname (lion = leeuw). The inscribed frame includes a riddling text in Flemish. Van Eyck's portraits of skilled craftsmen document the prosperous artisan class that made Bruges one of the wealthiest cities in 15th-century Europe.

Technical Analysis

Van Eyck portrays the goldsmith with his typical microscopic precision, rendering the gold ring, the sitter's individual features, and the subtle texture of the cap with oil glazes that create an almost tangible physical presence.

See It In Person

Kunsthistorisches Museum

Vienna, Austria

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
24.5 × 19 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Portrait
Location
Kunsthistorisches Museum, Vienna
View on museum website →

More by Jan van Eyck

The Crucifixion; The Last Judgment by Jan van Eyck

The Crucifixion; The Last Judgment

Jan van Eyck·ca. 1436–38

Virgin and Child in a Niche by Jan van Eyck

Virgin and Child in a Niche

Jan van Eyck·ca. 1440–50

The Annunciation by Jan van Eyck

The Annunciation

Jan van Eyck·c. 1434/1436

Ghent Altarpiece by Jan van Eyck

Ghent Altarpiece

Jan van Eyck·1432

More from the Early Renaissance Period

Pietà by Cosimo Tura

Pietà

Cosimo Tura·1475/1500

Virgin and Child by Giovanni Bellini

Virgin and Child

Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450