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The Conversion of Mary Magdalene by Paolo Veronese

The Conversion of Mary Magdalene

Paolo Veronese·1548

Historical Context

Paolo Veronese's Conversion of Mary Magdalene, painted around 1548 and now in the National Gallery, London, is an early work depicting the moment when the Magdalene turns from her sinful life to follow Christ. Veronese was beginning to establish himself outside his native Verona during this period, and the painting shows his developing elegant style with its distinctive cool palette and statuesque figure types that would mature into the magnificent decorative paintings of his later career.

Technical Analysis

Veronese's early technique shows his developing silver-toned palette and elegant figure style, with the refined compositional arrangement and cool color harmonies that distinguish his approach from the warmer tones of the established Venetian tradition.

Look Closer

  • ◆Notice how Veronese stages this scene of "The Conversion of Mary Magdalene" with the theatrical grandeur and luminous color that defined Venetian Renaissance painting.
  • ◆Observe how this work from 1548 demonstrates Veronese's ability to combine visual magnificence with narrative clarity.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
117.5 × 163.5 cm
Era
Mannerism
Style
Mannerism
Genre
Religious
Location
National Gallery, London
View on museum website →

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The Annunciation by Paolo Veronese

The Annunciation

Paolo Veronese·c. 1580

Ezekiel by Paolo Veronese

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Paolo Veronese·c. 1558

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