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Extreme Unction by Nicolas Poussin

Extreme Unction

Nicolas Poussin·1638

Historical Context

Poussin painted Extreme Unction around 1638 as part of his celebrated series of the Seven Sacraments, painted for Cassiano dal Pozzo — one of the most learned patrons in Rome and Poussin's closest intellectual ally. The sacrament of Extreme Unction — the last rites administered to the dying — is depicted in an early Christian setting, with participants in Roman-era dress gathered around a deathbed lit by lamp and candle. The archaeological authenticity of the setting, studied through Cassiano's vast collection of drawings after ancient Roman monuments, was as important to the series' ambition as its theological content. Poussin's series were the most learned religious paintings of the seventeenth century, treating the sacraments not as timeless Catholic practices but as historically specific early Christian rites.

Technical Analysis

The solemn, classically composed interior scene uses restrained gestures and a muted palette to convey the gravity of the last rites, with carefully researched ancient Roman furnishings and costumes.

See It In Person

Fitzwilliam Museum

Cambridge, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
95.5 × 121 cm
Era
Baroque
Style
French Baroque
Genre
Religious
Location
Fitzwilliam Museum, Cambridge
View on museum website →

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The Holy Family on the Steps by Nicolas Poussin

The Holy Family on the Steps

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Nymphs and a Satyr (Amor Vincit Omnia) by Nicolas Poussin

Nymphs and a Satyr (Amor Vincit Omnia)

Nicolas Poussin·c. 1625–27

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