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Bacino di San Marco from the Piazzetta by Canaletto

Bacino di San Marco from the Piazzetta

Canaletto·1750

Historical Context

This view of the Bacino from the Piazzetta, now in the National Gallery of Victoria, dates from around 1750 and captures the great basin that was Venice's ceremonial harbor. The twin columns of San Marco and San Teodoro in the foreground marked the Republic's formal maritime gateway. Canaletto's Venetian views were largely produced for British Grand Tour aristocrats facilitated by his agent Joseph Smith, later British Consul in Venice. He employed a camera obscura to achieve precise architect...

Technical Analysis

The twin columns frame the view across the basin, creating a monumental entry portal through which the distant Giudecca and San Giorgio are visible. The late handling maintains Canaletto's precision in the architectural elements.

Look Closer

  • ◆Notice the twin columns of San Marco and San Teodoro framing the view across the Bacino, creating a monumental portal through which the distant Giudecca and San Giorgio are visible.
  • ◆Look at the late handling maintaining Canaletto's precision in the architectural elements of this 1750 National Gallery of Victoria painting.
  • ◆Observe the Republic's formal maritime gateway — the view between these columns that marked the symbolic boundary between Venice and the sea.

See It In Person

National Gallery of Victoria

Melbourne, Australia

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
131.4 × 163.2 cm
Era
Rococo
Style
Venetian Rococo
Genre
Religious
Location
National Gallery of Victoria, Melbourne
View on museum website →

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Blick auf den Canal Grande nach Südwesten, von der Rialto Brücke bis zum Palazzo Foscari by Canaletto

Blick auf den Canal Grande nach Südwesten, von der Rialto Brücke bis zum Palazzo Foscari

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Venice: The Church of San Giorgio Maggiore by Canaletto

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