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St. Paul's Cathedral by Canaletto

St. Paul's Cathedral

Canaletto·1754

Historical Context

Canaletto's view of St. Paul's Cathedral from 1754, at the Yale Center for British Art, captures Christopher Wren's masterpiece from across the Thames during the artist's English period. The painting demonstrates Canaletto's ability to adapt his precise Venetian technique to London's architectural landmarks, rendering Wren's great dome with the same clarity he had previously applied to the Basilica of San Giorgio Maggiore. Canaletto's London views provide some of the most beautiful and accurate records of the Georgian city.

Technical Analysis

Canaletto renders St. Paul's dome and surrounding cityscape with characteristic precision, adapted to the softer English light. The Thames in the foreground with its shipping creates a compositional parallel with his Venetian canal scenes.

Look Closer

  • ◆Notice St. Paul's dome rendered with characteristic precision from across the Thames, adapted to the softer English light of Canaletto's London period.
  • ◆Look at the Thames in the foreground with its shipping creating a compositional parallel with his Venetian canal scenes — London's river replacing Venice's waterways.
  • ◆Observe Christopher Wren's masterpiece captured with the architectural exactitude that made Canaletto the most sought-after view painter of his century.

See It In Person

Yale Center for British Art

New Haven, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
62.9 × 61.6 cm
Era
Rococo
Style
Venetian Rococo
Genre
Religious
Location
Yale Center for British Art, New Haven
View on museum website →

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Capriccio: Ruined Bridge with Figures by Canaletto

Capriccio: Ruined Bridge with Figures

Canaletto·1745-1746

A Lock, a Column, and a Church beside a Lagoon by Canaletto

A Lock, a Column, and a Church beside a Lagoon

Canaletto·1742

Blick auf den Canal Grande nach Südwesten, von der Rialto Brücke bis zum Palazzo Foscari by Canaletto

Blick auf den Canal Grande nach Südwesten, von der Rialto Brücke bis zum Palazzo Foscari

Canaletto·c. 1733

Venice: The Church of San Giorgio Maggiore by Canaletto

Venice: The Church of San Giorgio Maggiore

Canaletto·1748

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700