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Landscape at Pont-Aven by Émile Bernard

Landscape at Pont-Aven

Émile Bernard·1889

Historical Context

Landscape at Pont-Aven (1889) by Émile Bernard, now in the collection of Van Gogh Museum, represents the artist's engagement with landscape as a vehicle for exploring the relationship between direct observation and pictorial structure, light, and atmosphere. Émile Bernard played a crucial but contested role in the Post-Impressionist revolution. His development of Cloisonnism at Pont-Aven and his close dialogue with both Gauguin and Van Gogh place him at the intersection of multiple avant-garde developments, yet he later claimed greater credit for the Synthetist movement than most historians allow.

Technical Analysis

Bernard developed Cloisonnism — flat areas of strong color enclosed within dark outlines, inspired by medieval enamelwork and Japanese woodblock prints. His palette is bold and non-naturalistic, and his handling of paint is flat and summary.

See It In Person

Van Gogh Museum

Amsterdam, Netherlands

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Van Gogh Museum, Amsterdam
View on museum website →

More by Émile Bernard

Bathers with Red Cow by Émile Bernard

Bathers with Red Cow

Émile Bernard·1889

Au cabaret by Émile Bernard

Au cabaret

Émile Bernard·1887

Pots de grès et pommes by Émile Bernard

Pots de grès et pommes

Émile Bernard·1887

Madeleine in the Bois d'Amour by Émile Bernard

Madeleine in the Bois d'Amour

Émile Bernard·1888

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885