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Daniel Catlin by Anders Zorn

Daniel Catlin

Anders Zorn·1901

Historical Context

Daniel Catlin was an American patron and socialite whom Zorn portrayed during one of his American visits in 1901. Zorn made multiple trips to the United States beginning in the 1890s, where his reputation for brilliant society portraiture made him enormously successful among the American upper class. The Catlin portrait, now in the Saint Louis Art Museum, demonstrates the breadth of Zorn's American clientele — businessmen, socialites, and public figures sought him out in the same way that European aristocrats had. Zorn's American portraits are generally distinguished by their directness and their refusal to flatter at the expense of truthful observation.

Technical Analysis

Zorn's society portraits achieve their effect through the confident placement of a few decisive marks — the glint of an eye, the highlight on a collar, the shadow under a jaw. The background is kept simple and atmospheric to direct full attention to the sitter's face and projected character.

See It In Person

Saint Louis Art Museum

Saint Louis, United States

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
Saint Louis Art Museum, Saint Louis
View on museum website →

More by Anders Zorn

The Artist's Wife by Anders Zorn

The Artist's Wife

Anders Zorn·1889

The Bride by Anders Zorn

The Bride

Anders Zorn·1886

Our Daily Bread by Anders Zorn

Our Daily Bread

Anders Zorn·1886

En premiär by Anders Zorn

En premiär

Anders Zorn·1888

More from the Post-Impressionism Period

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Rocks and Trees (Rochers et arbres)

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885