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Tribulations of Saint Anthony by James Ensor

Tribulations of Saint Anthony

James Ensor·1887

Historical Context

Tribulations of Saint Anthony (1887) by James Ensor, now in the collection of Museum of Modern Art, engages with architectural and urban subject matter, situating the artist within the 19th-century tradition of veduta and topographical painting developed from Dutch and Italian precedents. James Ensor was one of the most anarchic and visionary painters of the late 19th century. Growing up in Ostend, Belgium, surrounded by his family's shop selling carnival masks and seashells, he developed a grotesque imagery of masked figures, skeletons, and social satirical tableaux that baffled his contemporaries but influenced generations of Expressionist and Surrealist artists.

Technical Analysis

Ensor applied paint with raw, sometimes deliberately crude strokes that convey grotesque energy rather than technical refinement. His palette is lurid and confrontational — acid yellows, harsh magentas, sickly greens — creating a carnival atmosphere of unease.

See It In Person

Museum of Modern Art

New York, United States

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Religious
Location
Museum of Modern Art, New York
View on museum website →

More by James Ensor

Fort Wellington by James Ensor

Fort Wellington

James Ensor·1876

Fisher couple by James Ensor

Fisher couple

James Ensor·1874

Landscape with waterfalls by James Ensor

Landscape with waterfalls

James Ensor·1875

Return from Calvary by James Ensor

Return from Calvary

James Ensor·1877

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885