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Slave market by Horace Vernet

Slave market

Horace Vernet·1836

Historical Context

Horace Vernet's Slave Market of 1836, set in a North African context, depicts the buying and selling of enslaved people in an Orientalist market setting — a subject that combined the contemporary antislavery discourse with the Romantic fascination with Oriental exoticism. Vernet's treatment cannot be disentangled from the ideological complexities of French imperialism in Algeria, where France was simultaneously abolishing domestic slavery and conducting wars of conquest. The painting's ethnographic attention to the market's social organization serves an audience whose responses mixed moral anxiety with voyeuristic fascination.

Technical Analysis

Vernet's sharp, detailed technique renders the figures and architectural setting with characteristic precision. The cool, clear light and the careful observation of costumes and physiognomy give the scene an almost journalistic quality.

See It In Person

Alte Nationalgalerie

Berlin, Germany

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Quick Facts

Medium
Oil paint
Dimensions
65 × 54 cm
Era
Romanticism
Style
French Romanticism
Genre
Genre
Location
Alte Nationalgalerie, Berlin
View on museum website →

More by Horace Vernet

Portrait of a "Mamelouk" by Horace Vernet

Portrait of a "Mamelouk"

Horace Vernet·1810

Arab Warrior by Horace Vernet

Arab Warrior

Horace Vernet·ca. 1817–22

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet by Horace Vernet

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet

Horace Vernet·1833 or later

Self-Portrait in Rome by Horace Vernet

Self-Portrait in Rome

Horace Vernet·1832

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836