A View of Paestum
Antonio Joli·1759
Historical Context
Joli's View of Paestum, painted in 1759, documents the ancient Greek temples in southern Italy that had become a pilgrimage site for Grand Tour travellers interested in antiquity. Paestum — with its remarkably preserved Doric temples — attracted architects, archaeologists, and artists throughout the eighteenth century, and views of the site were in steady demand. Joli painted Paestum during his Italian journeys with the theatrical command of composition that characterised all his vedute.
Technical Analysis
The Doric temples are presented in a golden afternoon light, their massive forms emphasised by the low angle of view. Joli's architectural precision renders the columns and entablatures with surveyor-like accuracy while the landscape surround provides atmospheric recession. The staffage figures include travellers and local inhabitants, standard elements of Grand Tour vedute.
See It In Person
More by Antonio Joli

Capriccio with St. Paul's and Old London Bridge
Antonio Joli·ca. 1745

Procession in the Courtyard of the Ducal Palace, Venice
Antonio Joli·1742 or after

Procession of Gondolas in the Bacino di San Marco, Venice
Antonio Joli·1742 or after

Rome: View of the Colosseum and The Arch of Constantine
Antonio Joli·1744



