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The Start of the Race of the Riderless Horses by Horace Vernet

The Start of the Race of the Riderless Horses

Horace Vernet·1820

Historical Context

The Start of the Race of the Riderless Horses from 1820 at the Metropolitan Museum depicts the carnival races in Rome where riderless horses raced through the streets. Vernet witnessed these spectacles during his time as director of the French Academy in Rome. As a painter deeply committed to visual journalism, Vernet sketched campaigns from direct observation and was renowned for his ability to render horses, soldiers, and battle formations with unmatched clarity and energy.

Technical Analysis

The dynamic composition captures the excitement of the race with characteristic energy. Vernet's equestrian expertise and theatrical composition create a vivid spectacle.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
46 × 54 cm
Era
Romanticism
Style
French Romanticism
Genre
Animal
Location
Metropolitan Museum of Art, New York
View on museum website →

More by Horace Vernet

Portrait of a "Mamelouk" by Horace Vernet

Portrait of a "Mamelouk"

Horace Vernet·1810

Arab Warrior by Horace Vernet

Arab Warrior

Horace Vernet·ca. 1817–22

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet by Horace Vernet

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet

Horace Vernet·1833 or later

Self-Portrait in Rome by Horace Vernet

Self-Portrait in Rome

Horace Vernet·1832

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836