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Salvator Mundi by Albrecht Dürer

Salvator Mundi

Albrecht Dürer·1505

Historical Context

Salvator Mundi, painted around 1505 and now in the Germanisches Nationalmuseum Nuremberg, depicts Christ as the Savior of the World holding the orb of universal sovereignty and raising his right hand in blessing. The image type was ancient, connecting to Byzantine icon tradition, but Dürer transforms it with his characteristic combination of precise observation and ideal construction: the face of Christ both humanly specific and spiritually composed, the gesture simultaneously natural and symbolically resonant. The work demonstrates his ability to operate within the constraints of established iconographic types while bringing to them the full resources of his developed pictorial intelligence.

Technical Analysis

Christ faces the viewer directly, his right hand raised in blessing while the left holds the orb of sovereignty. The precise rendering of the face and hands demonstrates Dürer's extraordinary technical command, while the formal frontality maintains the image's devotional function.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
58.1 × 47 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Metropolitan Museum of Art, New York
View on museum website →

More by Albrecht Dürer

Virgin and Child by Albrecht Dürer

Virgin and Child

Albrecht Dürer·1516

Virgin and Child with Saint Anne by Albrecht Dürer

Virgin and Child with Saint Anne

Albrecht Dürer·probably 1519

Madonna and Child [obverse] by Albrecht Dürer

Madonna and Child [obverse]

Albrecht Dürer·c. 1496/1499

Lot and His Daughters [reverse] by Albrecht Dürer

Lot and His Daughters [reverse]

Albrecht Dürer·c. 1496/1499

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Lucrezia di Lippo di Iacopo Guidi

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Domenico da Gambassi

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515