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The Abduction of Rebecca by Eugène Delacroix

The Abduction of Rebecca

Eugène Delacroix·1846

Historical Context

Delacroix's The Abduction of Rebecca of 1846 depicts the scene from Scott's Ivanhoe in which the Templar Brian de Bois-Guilbert carries off Rebecca during the burning of Torquilstone castle — one of Delacroix's most dramatic Ivanhoe subjects, returning to a narrative he had treated in an 1823 version. The composition's turbulent energy — the white-robed Rebecca struggling in the Templar's grasp against a background of burning masonry — exemplifies Delacroix's mature ability to organize violent action into pictorial coherence. The warm coloring and dynamic brushwork demonstrate his response to Rubens's handling of abduction subjects.

Technical Analysis

The dynamic composition centers on the struggling figures amid the chaos of the castle assault. Delacroix's vibrant palette of warm reds and golds and his energetic brushwork convey the violence and confusion of the abduction scene.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
100.3 × 81.9 cm
Era
Romanticism
Style
French Romanticism
Genre
History
Location
Metropolitan Museum of Art, New York
View on museum website →

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Eugène Delacroix·1849–50

Hamlet and His Mother by Eugène Delacroix

Hamlet and His Mother

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