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The Love Letter by Jean Honoré Fragonard

The Love Letter

Jean Honoré Fragonard·1770

Historical Context

The Love Letter (c. 1770), at the Metropolitan Museum of Art, depicts a young woman composing or reading a love letter, her small dog beside her — a subject rich in the amorous symbolism that pervaded Rococo art. The love letter was a central motif in eighteenth-century French culture, representing the written word as a vehicle for romantic desire. Fragonard renders the scene with golden warmth and intimate charm, the woman's absorption in her letter creating an image of private emotional experience. The painting's exquisite technique — the shimmering silk of the woman's dress, the soft fur of the dog — demonstrates Fragonard's mastery of texture and surface.

Technical Analysis

The intimate composition centers on the letter and the woman's expression, with warm light from a nearby window illuminating the scene. The bouquet of flowers and the small dog add symbolic touches of love and fidelity.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
83.2 × 67 cm
Era
Rococo
Style
French Rococo
Genre
Genre
Location
Metropolitan Museum of Art, New York
View on museum website →

More by Jean Honoré Fragonard

Portrait of a Man in Costume by Jean Honoré Fragonard

Portrait of a Man in Costume

Jean Honoré Fragonard·c. 1767–68

Dramatic Scene with Monks in a Crypt by Alexandre Evariste Fragonard

Dramatic Scene with Monks in a Crypt

Alexandre Evariste Fragonard·1800

Allegory of Vigilance by Jean Honoré Fragonard

Allegory of Vigilance

Jean Honoré Fragonard·ca. 1772

Portrait of a Young Woman by Jean Honoré Fragonard

Portrait of a Young Woman

Jean Honoré Fragonard·1770s

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700