
The Crucifixion with Donors and Saints Peter and Margaret
Historical Context
Cornelis Engebrechtsz. painted this Crucifixion with Donors and Saints Peter and Margaret around 1510, a private devotional altarpiece combining the central Passion scene with the donor portraits and patron saints that personalized altarpiece commissions for individual patrons. The donor figures—kneeling in prayer on the wings, protected by their name-saints—are depicted with the precise physiognomic characterization that was Engebrechtsz.'s particular strength. His Leiden workshop specialized in both major religious compositions and intimate personal devotional works, and this combination of Crucifixion with donor portraits represents the standard form of private altarpiece patronage. The inclusion of specific saints Peter and Margaret identifies the saints' names of the patrons or their children, grounding the sacred imagery in specific personal devotion.
Technical Analysis
The panel shows Engebrechtsz.'s mature mannered style with elongated figures, rich color, and the flowing drapery patterns that characterize his distinctive Leiden workshop approach.
See It In Person
More by Cornelis Engebrechtsz
%2C_crocifissione%2C_1500-50_ca.jpg&width=600)
The Crucifixion with Donors and Saints Peter and Margaret of Antioch
Cornelis Engebrechtsz·ca. 1525–30
_en_Petrus%2C_Franciscus_en_Hieronymus_(rechts)_Rijksmuseum_SK-A-859.jpeg&width=600)
Christ on the cross with the Virgin, St John the Evangelist, Mary Magdalen, and Sts Cecilia and Barbara (left), and Sts Peter, Francis and Jerome (right)
Cornelis Engebrechtsz.·1507

The Baptism of Christ
Cornelis Engebrechtsz.·1501

Ss Cecilia,Mary Magdalene with donatrix,lamentation flanked by other six Sorrows of Mary, Ss James Great,Martin of Tours an Augustine monk
Cornelis Engebrechtsz.·1509



