The Assumption of the Virgin

Ambrogio Bergognone created this devotional painting around 1511, now in the Metropolitan Museum of Art. The work reflects the artistic production of the High Renaissance period, when workshops across Europe produced paintings for churches, courts, and private collectors The Virgin Mary occupied a central place in late medieval and Renaissance piety, venerated as intercessor and Queen of Heaven, her image produced in countless devotional objects for public and private use.

The painting demonstrates the techniques and compositional approach characteristic of High Renaissance painting, with careful attention to the subject matter and the visual conventions of the period.