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Madame Sophie de France (1734–1782)
Historical Context
Drouais's portrait of Madame Sophie de France (1734–1782), third daughter of Louis XV, was painted in 1762 when Sophie was twenty-eight years old. Along with her sisters, Sophie was a subject of several Nattier and Drouais portraits that collectively defined the visual image of the French royal family in the mid-eighteenth century. Sophie was among the less prominent of Louis XV's daughters, known for her piety and retiring character, and Drouais captures the formal propriety expected of a French princess without the mythological elaboration that characterized some of his and Nattier's royal portraits.
Technical Analysis
Drouais employs his characteristic refined technique with particular emphasis on the elaborate silks, laces, and jewels of royal dress. The composition is formal and erect, with Sophie's bearing conveying the dignity of her station through measured posture and direct gaze.
See It In Person
More by François Hubert Drouais
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Madame Sophie de France (1734–1782)
François Hubert Drouais·1762

Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)
François Hubert Drouais·1757

Portrait of a Young Woman as a Vestal Virgin
François Hubert Drouais·1767

Portrait of the Marquise d'Aguirandes
François Hubert Drouais·1759



