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Portrait of a Young Woman, said to be Gabrielle de Caraman, Marquise de la Fare by Jean Honoré Fragonard

Portrait of a Young Woman, said to be Gabrielle de Caraman, Marquise de la Fare

Jean Honoré Fragonard·1770

Historical Context

Portrait of a Young Woman, Said to Be Gabrielle de Caraman, Marquise de la Fare (c. 1770), at the Metropolitan Museum of Art, is an informal portrait that captures the sitter with Fragonard's characteristic freshness and spontaneity. The identification of the sitter as the Marquise de la Fare remains uncertain, but the portrait's warm palette and fluid brushwork create a compelling image of aristocratic beauty and vivacity. The painting exemplifies Fragonard's ability to invest even conventional portrait subjects with the energy and charm that distinguish his work from more formal contemporary portraiture.

Technical Analysis

The luminous handling of the face contrasts with the more broadly brushed costume and background. The warm palette and confident paint application create a vivid sense of the sitter's personality and social presence.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
80.6 × 63.5 cm
Era
Rococo
Style
French Rococo
Genre
Portrait
Location
Metropolitan Museum of Art, New York
View on museum website →

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Portrait of a Man in Costume by Jean Honoré Fragonard

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Jean Honoré Fragonard·c. 1767–68

Dramatic Scene with Monks in a Crypt by Alexandre Evariste Fragonard

Dramatic Scene with Monks in a Crypt

Alexandre Evariste Fragonard·1800

Allegory of Vigilance by Jean Honoré Fragonard

Allegory of Vigilance

Jean Honoré Fragonard·ca. 1772

Portrait of a Young Woman by Jean Honoré Fragonard

Portrait of a Young Woman

Jean Honoré Fragonard·1770s

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