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Portrait of a Young Woman as a Vestal Virgin by François-Hubert Drouais

Portrait of a Young Woman as a Vestal Virgin

François-Hubert Drouais·1767

Historical Context

François-Hubert Drouais, the leading French portrait painter of the generation after Nattier, depicted many aristocratic women in the guise of classical figures, and this Portrait of a Young Woman as a Vestal Virgin of 1767 is a characteristic example. The vestal virgins — the sacred priestesses who tended the eternal flame of Rome — carried connotations of chastity, dedication, and noble service, making them an appealing guise for unmarried aristocratic women. Drouais painted numerous members of the royal family and high nobility in allegorical dress, continuing the tradition of the portrait historié that Nattier had popularized at Versailles.

Technical Analysis

The subject is depicted in the white robes and simple headband of the vestal order, holding or gesturing toward a flame. Drouais's smooth, refined modeling and cool, silvery tonality give the figure a sculptural purity appropriate to the Antique subject.

See It In Person

Metropolitan Museum of Art

New York, United States

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Quick Facts

Medium
Oil on canvas
Era
Rococo
Genre
Portrait
Location
Metropolitan Museum of Art, New York
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Madame Sophie de France (1734–1782) by François Hubert Drouais

Madame Sophie de France (1734–1782)

François Hubert Drouais·1762

Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772) by François Hubert Drouais

Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)

François Hubert Drouais·1757

Portrait of a Young Woman as a Vestal Virgin by François Hubert Drouais

Portrait of a Young Woman as a Vestal Virgin

François Hubert Drouais·1767

Portrait of the Marquise d'Aguirandes by François Hubert Drouais

Portrait of the Marquise d'Aguirandes

François Hubert Drouais·1759

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