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Tric-Trac players by Pieter de Hooch

Tric-Trac players

Pieter de Hooch·1652

Historical Context

Tric-trac, a form of backgammon, was a standard subject in Dutch genre painting as a sign of leisured sociability verging on dissolute time-wasting — the game's associations ranged from respectable parlour amusement to tavern gambling. De Hooch's treatment of the subject belongs to his Delft period, when he was producing the sequences of card-playing, drinking, and game-playing scenes that established his reputation alongside Vermeer and Ter Borch. The figures are observed rather than judged, consistent with De Hooch's general moral neutrality compared with the more didactic Jan Steen.

Technical Analysis

The composition is tightly organised around the game board as a central focal point, with figures leaning in from either side. De Hooch's brushwork in the clothing is loose but purposeful, with the textured weave of garments suggested through varied paint application rather than minute detail.

See It In Person

National Gallery of Ireland

Dublin, Ireland

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
46 × 33 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Genre
Location
National Gallery of Ireland, Dublin
View on museum website →

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Interior with a Young Couple by Pieter de Hooch

Interior with a Young Couple

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A Woman and Two Men in an Arbor by Pieter de Hooch

A Woman and Two Men in an Arbor

Pieter de Hooch·ca. 1657–58

The Visit by Pieter de Hooch

The Visit

Pieter de Hooch·ca. 1657

Woman with a Water Pitcher, and a Man by a Bed by Pieter de Hooch

Woman with a Water Pitcher, and a Man by a Bed

Pieter de Hooch·ca. 1667–70

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