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Portrait of the second wife of the artist by Henri Rousseau

Portrait of the second wife of the artist

Henri Rousseau·1900

Historical Context

Rousseau's portrait of his second wife Joséphine around 1900 is a tender record of domestic life in the Plaisance district of Paris where the couple lived frugally after his retirement from the customs service. Joséphine Noury, whom he married in 1899, appears solemn and dignified, dressed with modest propriety. Now held at the Musée Picasso — a fitting home given Picasso's famous 1908 banquet in Rousseau's honor and his personal collection of the Douanier's work — the portrait demonstrates how Rousseau elevated ordinary subjects to a formal gravity usually reserved for official commissions.

Technical Analysis

The figure is frontal and still, set against a plain background that allows no atmospheric distraction. Rousseau's characteristic even illumination eliminates strong shadows, and his palette is sober — dark dress, pale face — giving the portrait a quality somewhere between a photograph and a medieval icon.

See It In Person

Musée Picasso

,

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
Musée Picasso,
View on museum website →

More by Henri Rousseau

Carnival Evening by Henri Rousseau

Carnival Evening

Henri Rousseau·1886

Rendezvous in the Forest by Henri Rousseau

Rendezvous in the Forest

Henri Rousseau·1889

Walk in the Wood by Henri Rousseau

Walk in the Wood

Henri Rousseau·1886

Self-portrait by Henri Rousseau

Self-portrait

Henri Rousseau·1900

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885