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The Sirens and Ulysses by William Etty

The Sirens and Ulysses

William Etty·1837

Historical Context

The Sirens and Ulysses, painted in 1837 and now in Manchester Art Gallery, is one of Etty's largest and most ambitious mythological compositions, depicting the Homeric episode where Ulysses is lashed to the mast while his crew rows past the deadly Sirens. The painting provided Etty with an excuse to paint multiple nude female figures in a dramatically charged narrative setting. The large canvas — over three meters wide — demonstrates his aspiration to grand-scale history painting in the tradition of Rubens and the Venetians. The Manchester Art Gallery houses important Victorian-era paintings reflecting the cultural ambitions of the city's industrialist patrons, who invested heavily in building one of Britain's finest provincial collections.

Technical Analysis

The painting's rich, Venetian palette of warm flesh tones against deep marine blues demonstrates Etty's mastery of color. The ambitious scale and the careful rendering of multiple nude figures reflect his decades of study from the life model at the Royal Academy.

Look Closer

  • ◆The Sirens' seductive call allowed Etty to combine sensuous nude figures with the drama of Homer's Odyssey — beauty and danger intertwined.

See It In Person

Manchester Art Gallery

Manchester, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
297 × 442.5 cm
Era
Romanticism
Style
British Romanticism
Genre
Mythology
Location
Manchester Art Gallery, Manchester
View on museum website →

More by William Etty

Allegory by William Etty

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The Three Graces by William Etty

The Three Graces

William Etty·1807

Head of a Cardinal by William Etty

Head of a Cardinal

William Etty·ca. 1844

The Ring by William Etty

The Ring

William Etty·ca. 1835

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