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Pas Mèche (Nothing Doing)
Jules Bastien-Lepage·1882
Historical Context
Pas Mèche (Nothing Doing), painted in 1882 and now at National Galleries Scotland in Edinburgh, was among Bastien-Lepage's most celebrated London works. The title is French slang for 'nothing doing' or 'no chance' — a phrase capturing the street wisdom and weary resignation of an urban child. The subject, a London street boy with hands in pockets, exemplifies the artist's transfer of his naturalist approach from rural French peasants to urban British subjects during his extended London visits. The painting was widely exhibited and admired in Britain, where Bastien-Lepage's influence on the generation of artists associated with the New English Art Club was immense. Walter Sickert, George Clausen, Henry La Thangue, and others acknowledged his authority. The Scottish National acquisition placed it within an important public collection where it could continue to influence British artists. The title's colloquial irony — the boy's pose and expression communicating a specific social attitude — demonstrates Bastien-Lepage's ability to capture not just physical appearance but cultural character in his working-class subjects.
Technical Analysis
The figure is painted with Bastien-Lepage's characteristic concentration on the face and hands, while the surrounding London street is handled with looser, more atmospheric brushwork. The boy's posture — slightly defiant, hands thrust in pockets — demanded careful observation of the attitude of the whole body.
Look Closer
- ◆The boy's cocked posture and direct gaze communicate a specific street attitude — wariness mixed with practiced nonchalance.
- ◆Hands thrust in empty pockets are a central motif, literally enacting the painting's title of 'nothing doing.'
- ◆The London urban background is suggested through atmospheric haze rather than architectural detail, keeping focus on the figure.
- ◆The figure's worn jacket and cap identify him precisely within the social hierarchy of Victorian London street life.

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