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Saint Anthony Abbot [left panel] by Puccio di Simone

Saint Anthony Abbot [left panel]

Puccio di Simone·1354

Historical Context

Puccio di Simone, a Florentine painter active in the mid-fourteenth century and follower of Bernardo Daddi, created this Saint Anthony Abbot around 1354 as the left panel of a dismembered polyptych. Saint Anthony Abbot, the Egyptian hermit and father of Christian monasticism, was enormously popular in Gothic Europe as a protector against ergotism (Saint Anthony's fire) and patron of livestock. Originally in the Andrew W. Mellon Collection (now National Gallery of Art), this panel represents the devotional art of mid-Trecento Florence.

Technical Analysis

Painted in egg tempera and gold leaf on panel, this Saint Anthony Abbot displays Puccio di Simone's characteristic Daddesque style with soft, rounded forms and gentle modeling. The saint is rendered in his traditional dark Tau-cross-marked habit, with careful attention to his iconographic attributes against an elaborately tooled gold ground.

See It In Person

Andrew W. Mellon collection

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Andrew W. Mellon collection, Washington, D.C.
View on museum website →

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Virgin Enthroned with the Christ Child (right wing of a triptych) with the Annunciation above; Christ on the Cross (left wing of a triptych) with the Nativity above by Puccio di Simone

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Madonna and Child Enthroned with Saints and Angels, and Saints Anthony Abbot and Venantius by Puccio di Simone

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