![Madonna of Humility, The Blessing Christ, Two Angels, and a Donor [obverse] by Andrea di Bartolo](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Madonna_of_Humility%2C_The_Blessing_Christ%2C_Two_Angels%2C_and_a_Donor_(obverse)_A16766.jpg&width=1200)
Madonna of Humility, The Blessing Christ, Two Angels, and a Donor [obverse]
Andrea di Bartolo·1380
Historical Context
Andrea di Bartolo, a Sienese painter and son of the renowned Bartolo di Fredi, created this Madonna of Humility showing the Virgin seated on the ground in a gesture of modesty, blessed by Christ above and attended by angels with a kneeling donor. The Madonna of Humility was a relatively new iconographic type that emerged in Sienese painting around 1340, attributed to Simone Martini's circle, and spread rapidly as an expression of Franciscan-influenced piety emphasizing the Virgin's approachability. The inclusion of a donor portrait reflects the growing practice of personal devotional commissions in late fourteenth-century Siena.
Technical Analysis
Painted in egg tempera on gold-ground panel, the obverse composition layers the blessing Christ, flanking angels, and the humble seated Virgin with her donor in a refined vertical arrangement. Andrea's technique shows the elegant linearity and luminous color harmonies inherited from the Sienese Gothic tradition.







