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The Triumph of Galatea by Artemisia Gentileschi

The Triumph of Galatea

Artemisia Gentileschi·1650

Historical Context

The Triumph of Galatea from around 1650 at the National Gallery of Art shows Gentileschi treating a classical mythological subject in her late style. The sea nymph Galatea's triumph represents beauty and joy, a departure from the dramatic narratives that dominated her earlier career. Artemisia Gentileschi's powerfully direct treatment of female subjects—heroines, saints, and biblical figures depicted with unprecedented psychological force and physical credibility—makes her one of the most significant figures in the Baroque tradition.

Technical Analysis

The mythological composition shows Gentileschi's late palette with broader handling. The marine setting and multiple figures demonstrate her command of complex mythological narrative.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
152.1 × 205.1 cm
Era
Baroque
Style
Italian Baroque
Genre
Mythology
Location
National Gallery of Art, Washington, D.C.
View on museum website →

More by Artemisia Gentileschi

Mary Magdalene in Ecstasy by Artemisia Gentileschi

Mary Magdalene in Ecstasy

Artemisia Gentileschi·c. 1625

Bathsheba by Artemisia Gentileschi

Bathsheba

Artemisia Gentileschi·1645

Saint Apollonia by Artemisia Gentileschi

Saint Apollonia

Artemisia Gentileschi·1642

Clio, la Musa della Storia (La fama) by Artemisia Gentileschi

Clio, la Musa della Storia (La fama)

Artemisia Gentileschi·1632

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Allegory of Venus and Cupid

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Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

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Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612