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Carlo and Ubaldo Resisting the Enchantments of Armida's Nymphs by Francesco Guardi

Carlo and Ubaldo Resisting the Enchantments of Armida's Nymphs

Francesco Guardi·1750

Historical Context

Guardi's Carlo and Ubaldo Resisting the Enchantments of Armida's Nymphs takes its subject from Tasso's Jerusalem Delivered, the epic that provided so many Baroque and Rococo painters with mythological-literary material. Carlo and Ubaldo are sent to rescue Rinaldo from Armida's enchanted garden but must resist the temptations of her nymphs. Guardi treats the literary subject with the same atmospheric looseness he brought to his vedute, the figures dissolving into a shimmering parkland setting.

Technical Analysis

The enchanted garden and its tempting nymphs are rendered with Guardi's characteristically loose, vibrant brushwork, the figures suggested rather than precisely defined. The lush parkland setting is handled with particular atmospheric sensitivity, light and foliage merging in his distinctive calligraphic manner. The two resistant knights stand firm against a visually seductive compositional setting.

See It In Person

National Gallery of Art

London, United Kingdom

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Quick Facts

Medium
Oil on canvas
Era
Rococo
Genre
Mythology
Location
National Gallery of Art, London
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The Garden of Palazzo Contarini dal Zaffo by Francesco Guardi

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Francesco Guardi·Late 1770s

The Grand Canal, Venice by Francesco Guardi

The Grand Canal, Venice

Francesco Guardi·c. 1760

Ruined Archway by Francesco Guardi

Ruined Archway

Francesco Guardi·1775–93

Capriccio: The Lagoon by Francesco Guardi

Capriccio: The Lagoon

Francesco Guardi·After 1770

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