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Diana and Her Dog by Sebastiano Ricci

Diana and Her Dog

Sebastiano Ricci·1750

Historical Context

This Diana and Her Dog at the Getty Museum depicts the chaste goddess of the hunt in an intimate outdoors setting that combined the female nude tradition with the natural landscape of forests and moonlight associated with Diana's domain. Ricci's treatment of the female figure brought Venetian painting's traditional ease with the sensuous nude to a mythological subject whose chastity provided classical justification for the nude's presence. The Getty Museum's Italian Baroque holdings preserve this alongside other examples of the mythological figure painting that formed a significant strand of Ricci's production alongside his religious subjects.

Technical Analysis

Diana's luminous flesh and the landscape setting are rendered with Ricci's characteristic warm palette, the huntress goddess painted with the fluent brushwork and sensuous color that defined his approach to mythological subjects.

See It In Person

J. Paul Getty Museum

Los Angeles, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Era
Rococo
Style
Venetian Rococo
Genre
Mythology
Location
J. Paul Getty Museum, Los Angeles
View on museum website →

More by Sebastiano Ricci

The Baptism of Christ by Sebastiano Ricci

The Baptism of Christ

Sebastiano Ricci·ca. 1713–14

The Continence of Scipio by Sebastiano Ricci

The Continence of Scipio

Sebastiano Ricci·c. 1706

The Holy Family with Angels by Sebastiano Ricci

The Holy Family with Angels

Sebastiano Ricci·ca. 1700

Study for "An Apotheosis of a Saint" (for San Bernardino dei Morti, Milan) by Sebastiano Ricci

Study for "An Apotheosis of a Saint" (for San Bernardino dei Morti, Milan)

Sebastiano Ricci·c. 1695

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700