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Madonna and Child by Simone Martini

Madonna and Child

Simone Martini·1326

Historical Context

Simone Martini's Madonna and Child is among the most refined examples of Sienese Gothic painting, demonstrating why this Siena master was celebrated as the greatest painter of his generation throughout Italy. Simone's development of Duccio's Byzantine inheritance combined the gold-rich splendor of the Byzantine tradition with a new linearity and Gothic elegance derived from French court culture — an amalgam uniquely Sienese that spread his influence from Naples to Avignon. His Madonna compositions show the characteristic Sienese synthesis of transcendent gold atmosphere with the gentle intimacy of maternal tenderness.

Technical Analysis

Tempera on gold-ground panel with extensive tooled punchwork in the haloes and background, characteristic of Simone's ornamental refinement. The Madonna's drapery falls in sinuous Gothic curves, while delicate glazing creates soft flesh tones that distinguish Sienese technique from Florentine modeling.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
57.2 × 38.4 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Metropolitan Museum of Art, New York
View on museum website →

More by Simone Martini

Christ on the Cross by Simone Martini

Christ on the Cross

Simone Martini·1400

Virgin of the Annunciation by Simone Martini

Virgin of the Annunciation

Simone Martini·1400

Triptych of Saint Augustine by Simone Martini

Triptych of Saint Augustine

Simone Martini·1328

Polyptych of Saint Dominique by Simone Martini

Polyptych of Saint Dominique

Simone Martini·1323

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295