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Place de Clichy by Paul Signac

Place de Clichy

Paul Signac·1888

Historical Context

Place de Clichy, in the 18th arrondissement of Paris, was among Signac's most overtly urban subjects — a busy boulevard intersection that connected his divisionist practice to the social modernity interests of the broader Impressionist and Post-Impressionist generation. The subject was familiar from Degas and Caillebotte, who had both painted the streets and intersections of Haussmann's remodeled Paris as emblems of modern urban life. Signac's version applied divisionist color analysis to the complex optical conditions of a busy Parisian street: reflected light from shop windows, the grey of paving, the varied colors of moving figures and vehicles.

Technical Analysis

The busy street scene requires Signac to analyze an unusually complex optical situation: multiple light sources, moving figures, reflective surfaces, and the spatial compression of a crowded urban intersection. His dots adapt to each element — longer and more directional on the pavement, more varied and broken in the crowd.

See It In Person

Metropolitan Museum of Art

New York, United States

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Quick Facts

Medium
panel
Era
Post-Impressionism
Style
Pointillism
Genre
Cityscape
Location
Metropolitan Museum of Art, New York
View on museum website →

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Concarneau by Paul Signac

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Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885