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Head of the Virgin by Taddeo di Bartolo

Head of the Virgin

Taddeo di Bartolo·1397

Historical Context

Taddeo di Bartolo, one of the leading Sienese painters of the late fourteenth century, created this intimate Head of the Virgin as either a fragment from a larger composition or an independent devotional image. Working in the refined Sienese tradition descended from Duccio and Simone Martini, Taddeo brought a new emotional warmth and naturalistic observation to the established iconic types. He was widely active across Tuscany and Liguria, receiving major commissions in Siena, Perugia, and Genoa.

Technical Analysis

Executed in egg tempera on panel, the work reveals Taddeo's sensitive handling of flesh tones through layered glazes, achieving a luminous warmth in the Virgin's complexion. The delicate modeling and refined linear contours demonstrate the technical sophistication of late Sienese Gothic painting.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
19.7 × 13.7 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Metropolitan Museum of Art, New York
View on museum website →

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The Crucifixion by Taddeo di Bartolo

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Saint Thomas Aquinas Submitting His Office of Corpus Domini to Pope Urban IV by Taddeo di Bartolo

Saint Thomas Aquinas Submitting His Office of Corpus Domini to Pope Urban IV

Taddeo di Bartolo·1403

Christ and the Twelve Apostles by Taddeo di Bartolo

Christ and the Twelve Apostles

Taddeo di Bartolo·1400

Madonna and Child by Taddeo di Bartolo

Madonna and Child

Taddeo di Bartolo·1400

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295