
The Crucifixion
Allegretto Nuzi·1350
Historical Context
Allegretto Nuzi, the leading painter of Fabriano in the Marche region during the mid-fourteenth century, created this Crucifixion around 1350. Nuzi trained in Florence but developed a distinctive style blending Florentine spatial awareness with the decorative richness of Marchigian tradition. Now at the Metropolitan Museum of Art, this panel reflects the dissemination of Gothic painting styles from major artistic centers like Florence and Siena to provincial Italian cities.
Technical Analysis
Executed in egg tempera and gold leaf on panel, this Crucifixion combines Nuzi's Florentine-derived figure modeling with the ornamental gold ground and tooled halos favored in the Marche. The dramatic composition centers on the elongated body of Christ, with mourning figures arranged symmetrically at the cross's base.
See It In Person
More by Allegretto Nuzi

Madonna and Child with Saint Mary Magdalene, Saint John the Evangelist, Saint Bartholomew and Saint Venantius
Allegretto Nuzi·1400
Virgin and Child, with Saints Mary Magdalene, James Major, Stephen, and a Bishop Saint
Allegretto Nuzi·1346

Crucifixion with the Virgin Mary, St. John the Evangelist, and St. Mary Magdalene
Allegretto Nuzi·1365

Bishop Saint Enthroned
Allegretto Nuzi·1365



