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Green Wheat Fields, Auvers by Vincent van Gogh

Green Wheat Fields, Auvers

Vincent van Gogh·1890

Historical Context

Green Wheat Fields, Auvers, at the National Gallery of Art, was painted by Van Gogh in May 1890 shortly after his release from the Saint-Paul-de-Mausole asylum in Saint-Rémy. The move to Auvers brought him under the informal care of Dr Paul Gachet and into the rolling agricultural landscape north of Paris, which he explored obsessively in the final seventy days of his life. The still-green wheat, not yet golden, speaks of a season not yet complete — a resonance that readers of Van Gogh's biography have found difficult to ignore, though the painting itself is luminous and expansive rather than melancholy.

Technical Analysis

The composition is dominated by the broad sweep of green fields beneath a blue sky divided by a distant treeline. Van Gogh's brushwork follows the contours of the landscape — horizontal strokes across the field, curved marks in the sky — creating a dynamic surface energy that matches the wind-stirred appearance of growing grain.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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Farmhouse by Vincent van Gogh

Farmhouse

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Street in Auvers-sur-Oise by Vincent van Gogh

Street in Auvers-sur-Oise

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Bedroom in Arles by Vincent van Gogh

Bedroom in Arles

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Orchards in blossom, view of Arles by Vincent van Gogh

Orchards in blossom, view of Arles

Vincent van Gogh·1889

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885