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The Yellow Curtain by Édouard Vuillard

The Yellow Curtain

Édouard Vuillard·1893

Historical Context

The Yellow Curtain is among Vuillard's most celebrated Nabi-period works, likely from around 1893, in which a curtain of intense yellow dominates almost the entire canvas surface. The curtain motif — a flat, textured plane of hanging fabric — was perfectly suited to Vuillard's interest in reducing the pictorial surface to pattern and colour. The scale of the curtain, which crowds out almost everything else, pushes toward a near-abstract decorative panel while remaining grounded in domestic reality. The work was admired by Denis and Sérusier as an exemplar of Nabi surface painting.

Technical Analysis

The yellow fabric occupies the dominant proportion of the canvas, treated as a relatively flat but texture-rich surface. The figure or figures at the edge are reduced to peripheral presences, subordinated to the curtain's colour mass. Vuillard modulates the yellow with subtle tonal variation to prevent the surface from being entirely uniform.

See It In Person

National Gallery of Art

Washington, D.C., United States

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Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Nabis
Genre
Genre
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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The Promenade in the Harbour by Édouard Vuillard

The Promenade in the Harbour

Édouard Vuillard·1908

Arthur Fontaine by Édouard Vuillard

Arthur Fontaine

Édouard Vuillard·1901

Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885