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Te Pape Nave Nave (Delectable Waters) by Paul Gauguin

Te Pape Nave Nave (Delectable Waters)

Paul Gauguin·1898

Historical Context

Painted in 1898 at a moment of extreme personal crisis — shortly after Gauguin had attempted suicide and despaired of his reception in France — this large canvas is one of his most ambitious and emotionally complex Tahitian works. The Tahitian title translates as 'Delectable Waters,' and the peaceful figures bathing in a tropical pool suggest a recovered serenity after crisis. Now at the National Gallery of Art in Washington D.C., this late Tahitian work shows Gauguin moving toward the spacious, luminous calm of his final years, having passed through the despair that produced the monumental Where Do We Come From?

Technical Analysis

The composition is structured around the mirror-like reflective quality of the pool, which creates a horizontal calm at the centre. Figures are arranged with the processional, frieze-like dignity of Gauguin's mature Polynesian style. Warm flesh tones are set against cool water blues. The paint surface is smooth and relatively controlled, without the rough impasto of some earlier works.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Genre
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885