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Saint Anthony and Saint Stephen by Bicci di Lorenzo

Saint Anthony and Saint Stephen

Bicci di Lorenzo·1401

Historical Context

Bicci di Lorenzo's Saint Anthony and Saint Stephen, painted around 1401, pairs two of the most frequently venerated saints in Italian devotional practice. Bicci was the head of a major Florentine painting dynasty, running a workshop that supplied altarpieces and frescoes to churches across Tuscany for several decades. This work belongs to the Early Renaissance, the transformative period in European art when painters first applied mathematical perspective, naturalistic figure modeling, and archaeological interest in antiquity to the inherited traditions of medieval devotional painting. The tension between Gothic grace and Renaissance structure gives art of this period a distinctive energy.

Technical Analysis

The paired saints stand in their traditional identifying vestments and attributes, rendered in Bicci di Lorenzo's workmanlike but effective tempera technique that prioritized clarity and devotional legibility over stylistic innovation.

See It In Person

Fine Arts Museums of San Francisco

San Francisco, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
153.7 × 54.6 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Fine Arts Museums of San Francisco, San Francisco
View on museum website →

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St. Francis of Assisi Receiving the Stigmata by Bicci di Lorenzo

St. Francis of Assisi Receiving the Stigmata

Bicci di Lorenzo·c. 1430

Icon of Saints John the Baptist and Minias by Bicci di Lorenzo

Icon of Saints John the Baptist and Minias

Bicci di Lorenzo·1401

Annunciation with four Saints by Bicci di Lorenzo

Annunciation with four Saints

Bicci di Lorenzo·1414

Mary, Joseph and the new-born Christ (Nativity) by Bicci di Lorenzo

Mary, Joseph and the new-born Christ (Nativity)

Bicci di Lorenzo·1417

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