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I Will Tell the White Man by Frederic Remington

I Will Tell the White Man

Frederic Remington·1900

Historical Context

I Will Tell the White Man depicts a scene from the complex negotiations between Native American peoples and the United States government that Remington documented throughout his career. The title signals a moment of diplomatic or mediating speech — a Native figure acting as interpreter or emissary between worlds — and reflects the charged, ambiguous role such individuals occupied in the late nineteenth-century West. Remington had travelled extensively in the West and Southwest and made a career of depicting these encounters with a directness and specificity that distinguished him from purely imaginary Western painters. The Art Institute of Chicago holds the canvas.

Technical Analysis

Remington's figurative work at this period employs strong local colour and decisive brushwork developed from his illustration background. The central figure is modelled to convey both physical presence and psychological tension, with the surrounding environment described economically to keep attention on the human subject.

See It In Person

Art Institute of Chicago

Chicago, United States

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Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
Romanticism
Genre
History
Location
Art Institute of Chicago, Chicago
View on museum website →

More by Frederic Remington

The Interpreter Waved at the Youth by Frederic Remington

The Interpreter Waved at the Youth

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The Fire-Eater Slung His Victim Across His Pony by Frederic Remington

The Fire-Eater Slung His Victim Across His Pony

Frederic Remington·1900

Nothing But Cheerful Looks Followed the Bat by Frederic Remington

Nothing But Cheerful Looks Followed the Bat

Frederic Remington·1900

Ceremony of the Fastest Horse by Frederic Remington

Ceremony of the Fastest Horse

Frederic Remington·1900

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