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Destruction of Tyre by John Martin

Destruction of Tyre

John Martin·1840

Historical Context

Martin's Destruction of Tyre from around 1840 treats the fall of the great Phoenician trading city as prophesied by Ezekiel and Isaiah—another in his systematic series of ancient civilizations consumed by divine judgment. Tyre, the wealthiest and most powerful mercantile city of the ancient world before its destruction by Alexander the Great, provided Martin with an architectural subject of oriental splendor whose fall could be rendered with the dramatic contrast between civilization's pride and destruction's completeness. The ancient cities of the biblical Near East—Babylon, Nineveh, Tyre, Sodom—formed a recurring subject category for Martin because their documented destruction combined historical authenticity with moral narrative and the visual opportunity for architectural grandeur in flames. The work belongs to his later career when his Miltonic trilogy and continued biblical subjects maintained his reputation with popular audiences.

Technical Analysis

Martin's signature approach—vast architectural panoramas engulfed by catastrophic forces—is fully deployed here. The precise rendering of the city's elaborate structures heightens the impact of their destruction.

See It In Person

Toledo Museum of Art

Toledo, United States

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Quick Facts

Medium
Oil paint
Era
Romanticism
Style
British Romanticism
Genre
History
Location
Toledo Museum of Art, Toledo
View on museum website →

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Joshua Commanding the Sun to Stand Still upon Gibeon

John Martin·1816

Adam listening to the voice of God the Almighty by John Martin

Adam listening to the voice of God the Almighty

John Martin·ca. 1823-ca. 1827

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