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The Seventh Plague by John Martin

The Seventh Plague

John Martin·1823

Historical Context

John Martin's The Seventh Plague of Egypt of 1823 depicts the biblical plague of fire and hail that devastated Egypt as described in Exodus, presenting Moses raising his staff against a sky convulsed with celestial fire while Egyptian civilization crumbles below. Martin translates the biblical narrative into geological catastrophe — his storms are natural phenomena operating at apocalyptic scale. The tiny figures of Egyptians fleeing across the foreground intensify the sense of human insignificance before divine power. The canvas was among Martin's most successful exhibition paintings, confirming his position as the premier painter of sublime catastrophe in Britain.

Technical Analysis

Martin's composition dwarfs the Egyptian architecture beneath an immense sky filled with fire and hail. The dramatic contrast between the dark, towering columns and the blazing supernatural light creates the overwhelming sense of divine power that was Martin's specialty.

See It In Person

Museum of Fine Arts Boston

Boston, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
144.1 × 214 cm
Era
Romanticism
Style
British Romanticism
Genre
Religious
Location
Museum of Fine Arts Boston, Boston
View on museum website →

More by John Martin

The Covenant by John Martin

The Covenant

John Martin·c. 1843

Ruins of an Ancient City by John Martin

Ruins of an Ancient City

John Martin·c. 1810–20

Joshua Commanding the Sun to Stand Still upon Gibeon by John Martin

Joshua Commanding the Sun to Stand Still upon Gibeon

John Martin·1816

Adam listening to the voice of God the Almighty by John Martin

Adam listening to the voice of God the Almighty

John Martin·ca. 1823-ca. 1827

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